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The images date from the 1970s to the early 2000s, notably anticipating today’s ubiquitous culture of the ‘selfie’.

Collier acquired the photographs over a period of many years from flea markets, thrift stores and online auction sites – significantly, these are photographs that have been abandoned or discarded by their original owner at some point.

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Dear reader, As you might have learned Adept Scientific was placed under administration in November 2014.

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For her second solo exhibition at The Modern Institute and the first in the gallery’s Osborne Street location, the New York-based artist Anne Collier presents a new body of photographic works, including several from her recent series ‘Women Crying’, along with a new 35mm slide-projection piece ‘Women With Cameras (Self Portrait)’ located in the gallery’s Bricks Space at Aird’s Lane.

In ‘Women Crying’, Collier examines manifestations of staged emotions by enlarging and tightly cropping into imagery that originally appeared in advertisements and on album covers from the 1960’s to the 1980’s: imagery that served to reinforce a clichéd and romanticized notion of female vulnerability.Continuing at the gallery’s Bricks Space, Collier presents a new 35mm slide-projection piece ‘Women with Cameras (Self Portrait)’.


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