"The Talented Poststructuralist: Heteromasculinity, Gay Artifice, and Class Passing." In: Masculinity: bodies, movies, culture / edited by Peter Lehman. "Pussy galore: lesbian images and lesbian desire in the popular cinema." In: The good, the bad and the gorgeous: popular culture's romance with lesbianism / edited by Diane Hamer and Belinda Budge. Where Altman sees this lack of representative depiction as a failing, this article operates from a different basic understanding of the nature and function of cultural representation. It studies five films, the women perform their femaleness and their queerness both offstage and on, creating a new kind of female filmic spectacle"--Provided by publisher. Culture and the moving image "Queer Male Cinema and Feminism." In: Women and Film: A Sight and Sound Reader. Altman also notes in reference to "The Wedding Banquet," the representation of these emergent Asian gay communities is itself notably lacking in these films. The shape ofcollective identity - how internal instabilities and diversities are accommodated, in this case - depends not only on the emergentcharacteristics of the collective, but also on the resolution of challenges particular to organizational fields. Monsters in the Closet: Homosexuality and the Horror Film / Harry M. Manchester [England]; New York: Manchester University Press; New York: Distributed by St. Series title: Inside popular film."The Love That Dare Not Speak Shakespeare's Name: New Shakesqueer Cinema." In: Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video / edited by Lynda E. "Using information gathered during fieldwork on New York lesbian and gay film festival organizations this paper argues thatscholarship on identity has nor paid sufficient attention to the organizational mediation of collective identity.
In many film and literary representations, we find, again, the centrality of friendship life for offering gay and lesbian youth such an alternative space and relational logic for their tentative, circumlocutory, and often risky explorations. Asian American history and culture."We Are Family: Miscegenation, Black Nationalism, Black Masculinity, and Black Gay Cultural Imagination." In: Race-ing Representation: Voice, History, and Sexuality / [edited by] Kostas Myrsiades and Linda Myrsiades. Lanham, Md.: Rowman & Littlefield Publishers, c1998. Isiling Nataf -- The gay gaze, or why I want my MTV / Steven Drukman -- La Belle Dame Sans Merci? "Laughing Hysterically: Sex, Repression, and American Film Comedy." In: Queer Representations: Reading Lives, Reading Cultures: A Center for Lesbian and Gay Studies Book / edited by Martin Duberman. New York: New York University Press, c1997."Gay and lesbian criticism." In: The Oxford guide to film studies / edited by John Hill and Pamela Church Gibson ; consultant editors, Richard Dyer, et al. Tauris ; New York : Distributed in the USA by Palgrave Macmillan, 2009. Relocating the homoerotic image of the "sad young man," a trope popular from Hollywood rebellion films of the 1950s and 1960s, to contemporary China, I discuss how this masculine icon has been transformed from one of heroic rebellion to one of existential isolation.